If the release is not slow enough, you’ll get a horrible pumping effect.You’ll need a high ratio of 4:1 up to 6:1 and not more than 8:1, because anything above 8:1 is no longer compression, that’s more of a limiter.The threshold also needs to be high for the bottom snare or else you end up with what’s called “splat”. This is a popular tuning option among those looking for a really full, bassy snare sound. If you want to avoid harming your skin altogether, it’s probably best to opt for the other method. Sometimes you might find that the eq settings are not the problem but other sounds are overpowering the snare drum.In that case, make space for the snare by cutting some frequencies on other sounds that are clashing with the snare. 250Hz-400Hz is the muddy area of the snare drum. If your snare still falls flat then a transient shaper will be your friend.If you choose to use a transient shaper, then I would recommend using it before you add any EQ or compression.The transient shaper combines the results you would get by using both EQ and compression.A transient shaper tool will allow you to control the attack and release much more easily, so this is the option I would recommend for those who don’t understand compressors or still confused by where to cut or boost.But if you’re working with live recorded drums then you’ll still need to use compression to control dynamics, a transient shaper won’t help you control the loud and soft parts (volume difference throughout the arrangement of the song).Understanding EQ and compression is crucial to get flexibility and be able to control everything to taste without limiting yourself. Following on from the first tip, experiment with various mixing effects placed … These things weigh about as much as a standard wallet filled with money and attach to the snare’s tuning rods via Velcro ties. As well as this, the paper also creates a livelier snap when struck, in comparison to the other fattening methods we mentioned above. Think about Elvin Jones, Steve Jordan, Ginger Baker or John Bonham – each drummer has their own distinctive sound they’ve used to make some amazing drum songs. The snare drum is mostly one of the most important sounds in a mix, and in this tutorial I reveal all the secrets for getting a punchy snare sound all the time.Before we get started I just want to Thank everyone who supported my previous post about mixing the kick. Boxiness can make any drum sound awful. Alternatively, you can change the tuning of your toms slightly so that they don’t match that of your snare. Next, take either a thin or thick-ish piece of fabric and place it where you would the batter head. Mixing Snare Complete Guide: How to get a perfect sounding snare on every mix... To help add a sense of space and depth to a snare you’ll need to use a reverb effect. Mixing Snare Drum | How to Get a Punchy Snare Sound - Audio Spectra. You don’t want an attack that is too fast because that will start introducing unwanted artifacts and clipping.So, make the attack fast without choking the snare.The release needs to be slow enough to bring up the decay a bit or too much, not too much that it’s too obvious and ends up overlapping to the next snare hit. To get around this issue, simply tap the skin near each lug and adjust it slightly. I would recommend using a gate plugin that has a look-ahead feature to make sure that you get a clean gate effect without messing up the transients / attack.Gates can be very dangerous, they’ll not only kill transients but they can mess up a good performance. To be precise, you’d usually do this by cutting the old skin so that it’s slightly smaller than the other and then positioning it upside down across the drum. If not, then you will run the risk of getting a thin sounding snare.Another area that you would want to remove, if the top snare is not already sounding thin, you need to remove the mud and boxy frequencies.For the top snare this is usually around the 500Hz to 800Hz frequency range.Finally, you’ll need to add some air and give the snare some shine by creating a high shelf boost around the 8kHz range.If the snare is lacking some attack then you can emphasize the attack by boosting around 2kHz to around 4.5kHz. If you’re still confused about what phase is then to simply explain it I would say it’s the relationship between multiple waveforms that are playing at the same time.If your sounds are not in-phase they’ll cancel each other.To fix that you simply hit the polarity reversal button. your bound to make sales just out of the sheer amount of videos you have on youtube. It is important to get the kick and snare sounding really punchy to get a good sounding overall mix. Ged is editor-in-chief and founder of Zing Instruments. If not, storing your drum like this for long periods of time will possibly lead to the head warping. Of course, using a wallet to lower your snare’s tone is one of the easiest ways to fatten up your sound… that is, as long as it has plenty of change inside!