SE Electronics X1 R Ribbon Microphone (X1R)Add the sE Electronics X1R ribbon microphone to your collection, and you'll soon find yourself reaching for it on a regular basis. Best of all, it is very affordable, as the original price of almost £300 has been pared right back, so that the typical cost of the mic is now less than £150! sE Electronics X1R Passive Ribbon Microphone. The X1R is a ribbon mic with a few design twists. The X1 R doesn't quite offer the full-frequency response performance of the VR1, VR2, or the widely acclaimed Rupert Neve Signature Series RNR1 - but its hybrid old and new ribbon technology gives you all the natural beauty of the ribbon sound, but with more versatility and ease of use than the majority of ribbons on today's market. The second addition to the X1 Series, the X1 R brings the magic of traditional ribbon mics into the modern age with a tough construction that can handle any SPL. We have combined our traditional ribbon technology with some of the mechanical elements of our own VR1/VR2 microphone HF (High Frequency) extension technology to bring you a classic sounding ribbon mic with a gentle HF lift. 4.8 out of 5 stars. The second addition to the X1 Series, the X1 R brings the magic of traditional ribbon mics into the modern age with a tough construction that can handle any SPL - this is a ribbon you can take on the road. What witchcraft is this? Re: One Synth Challenge V - The Filter Strikes Back! The views expressed are those of the contributors and not necessarily those of the publishers. How are ratings calculated? 4.8 out of 5. I have had this microphone for one year. Great ribbon or ribbon micro for beginners to the world of ribbon shots. Re: Clip tuner that responds acoustically. All positive reviews › nczuczu. Generating Element: Hand-tensioned 2.5µm aluminum ribbon, Power requirement: N/A (phantom-protected), - Paul White, Sound On Sound (full review), - Scott Evans, Tape Op Magazine, Jul/Aug 2014 (full review), - Eric Miley (full review via Sweetwater Sound). The X1R can be used on a variety of sources, including on guitar cabinets, drum overheads, brass, woodwinds, strings, or in commercial broadcast and voice over applications. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Ribbon mics have long been known for their smooth high end, but can sometimes sound a little on the dull side. Share - sE Electronics X1R Passive Ribbon Microphone. Top positive review. This musical tonality is particularly useful for taming the shrill excesses of guitar cabinets, drum overheads, wind and strings, especially solo bowed strings. The housing is all metal and very rugged, featuring an attractive, non-slip, textured black finish. sE sent me a pair of these mics to test. Ribbons are prized for their ability to deliver a smooth high end, and thanks to modern design innovations, the slightly dull sound of some vintage ribbon models isn't a characteristic shared by their modern counterparts, although their warmth, smoothness and musicality remains. Why does Liam Gallagher's vocals sound shit? Enter the SE X1R... Ribbon mics have had a fairly high profile in the SE Electronics portfolio over the past few years, not least the Neve RN1R and then SE's two Voodoo models. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Ribbon models from Golden Age or Shiny Box are probably the closest alternatives in this price range. sE Electronics X1R Passive Ribbon Microphone. See All Buying Options. Reviewed in the United States on September 7, 2020. "Electric guitar sounded great right away. This is a ribbon you can take on the road. Note that passive ribbon mics don't need phantom power, but will tolerate it, providing the mic is plugged in using a conventional balanced cable before the phantom power is applied. SE have aimed to combine the smoothness of ribbon mics with the high-end extension of a condenser. As I suspected, the output level of the mic was a touch on the low side, so I used my Cloud Lifter plugged into my usual audio interface, as the mic amps in my interface tend to pick up some computer noise when turned up near full. It's housed in the same body as sE's X1 large-diaphragm condenser and is designed to produce more high end, and more output level, than the average ribbon. I particularly like it for miking electric guitar amps, but it offers good all-round performance when you need a smoother alternative to a capacitor mic but don't want to deal with the nasal or honky characteristics of a typical cardioid-pattern, moving-coil mic.